Crimes, puzzle-like mysteries, unknown murderers and great
detectives have been the perfect bait for investigation-loving audiences since
God knows when. From traditional series featuring Sherlock Holmes, Belgian mastermind
Hercule Poirot and Miss Marple, to more up-to-date shows such as “House” and
“Psych,” every police scheme revolves around a mystery that only one man can
solve.
“The Mentalist” makes no exception and, aside from the
appealing crime stories, its foremost advantage is represented by none other
than Simon Baker.
The new CBS series, which premieres tonight at 9, focuses on
Patrick Jane (Simon Baker), a former phony television psychic who continually
astonishes and enrages his cynical coworkers at the California Bureau of
Investigation with his ability to accrue the ambiguities of human behavior and subsequently
bring them into play so as to reveal longed-for evidence and facts that help discover
the criminal. As Agatha Christie’s Hercule Poirot would say, “Use your little
grey cells, mon ami!”
Patrick Jane really is charming (no wonder, he owns Simon
Baker’s heart-breaking smile) and enigmatic at the same time. He is aware of
the fact that he knows much more that his colleagues and feels no shame to show
off. For instance, when a greenhorn of the investigative team explains that
some people do have some out-of-this-world talents, referring to her cousin who
is in touch with “the other side,” Patrick Jane smiles ironically and says,
“There is no other side.”
During the first scenes of the premiere, we can see Simon
Baker’s character at his most enthralling and his most negligent as he
psychologically works his charms on a woman whose daughter has been killed and
makes her admit that she suspects her husband is the murderer.
Predictably or not, Patrick Jane is suspended and cannot
take part in the investigation of the seeming most recent murder committed by
Red John, a serial killer who does not leave the ex phony psychic cold.
The rest of the CBI team includes boss Teresa Lisbon (Robin
Tunney), Kimball Cho (Tim Kang), Wayne
Rigsby (Owain Yeoman) and Grace Van Pelt (Amanda Righetti).
The murder is suitably looked into, with Patrick Jane’s bell
ringing all the time, but, unlike other fictional detectives, he does not put
in plain words the way he got to the particular conclusions.
Simon Baker, who also starred in shows including “The
Guardian” and “Smith” and in big-screen productions such as “The Devil Wears
Prada,” has what it takes to accomplish his “Mentalist” mission.
Regrettably, like too many crime series that have broken out
recently, “The Mentalist” lacks a good old crime plotting. The murder stories
are worn-out, their development and solutions are too evident or unfeasible,
and the characters are one-trait-based. You can see signs pointing to some of
the murderers from the first scenes of the show, which chips away at its own potency.
Nonetheless, it is enjoyable to observe the deductive method
in force, but mental surreptitiousness cannot possibly form a series. That is
why “The Mentalist” should improve its characters and make them more complex,
as well as its storyline, for it tends to become boring. If it succeeds, it
won’t fail to be a success.